Top French architect Laura Gonzalez was named Designer of the Year September 2019 by Maison et Objet, one of the Top Events of Europe that will return to Paris in September! It’s now time to introduce this Top Creator!
.Currently, with 37 Years, architect Gonzalez is already well-known for working her magic across Paris, and for the past two years has been spreading her wings overseas, stamping her “reworked classical” style on a whole host of restaurants, bars, hotels and stores. Gonzalez is someone that we see a bit of everywhere lately, realizing projects after projects and flirting with the design magazines. She is fully multi-tasking, being able to create hotels, restaurants, shops and private interiors. Laura Gonzalez started her career with nightclubs and, today, she’s the creator of half a dozen Cartier shops, the Pierre Hermé bakery or even the Occitane concept store, and now she’s celebrated as Maison et Objet‘s Designer Of The Year September 2019.
The architect, who trained at the Paris-Malaquais School of Architecture, has been applying that mindset with real panache to every single space she has designed since first launching her firm back in 2008. Some of those spaces have been sleeping beauties whose charm she has skilfully reawakened – the Alcazar, Hotel Christine, the Brasserie La Lorraine -, whilst others she has designed from scratch, giving free reign to her creative flair, as was the case with the 86 Champs, the Manko, the Noto, the Louboutin stores in Barcelona and Amsterdam or those owned by Cartier in Stockholm, Zurich and London. The architect has imbued all these projects with her own unique style, updating classical references with a generous helping of her rampant yet well-tamed imagination.
At La Gare, a huge brasserie-style restaurant in the 16th arrondissement of Paris, she has incorporated numerous references to travel by looking to the shores of the Mediterranean for inspiration. At the Cartier store on Paris’s rue de la Paix, meanwhile, the space she’s designed resembles an apartment worthy of Coco Chanel. And at one of Paris’s most iconic restaurants, Lapérouse, she’s restored all the woodwork, artwork and period frescoes whilst simultaneously adding her own quirky, romantic touch.
No-one else combines fabrics, motifs, materials, colours and eras quite like this bold young architect, resulting in a thoroughly unique signature style. Her love for mixing-and-matching became clear the second she unveiled her first project as a freshly qualified architect, aged just 26. The project in question was the Bus Palladium, a shining star of the Parisian night scene, which she chose to refurbish with a potpourri of no fewer than thirty-five wallpapers, furnishing the place with vintage finds and simultaneously dragging the brass fixtures and fittings kicking and screaming into the twenty-first century. What was to become her signature style has since been further enriched over the years, fuelled by numerous collaborations with some of France’s very best craftsmen, including marble masons, cabinetmakers, glass-makers, glass blowers, mosaic specialists and lacquerers.
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